Time flies fast and it’s hard to believe it’s been 4 years since Flynn: Son of Crimson by @thunderhorseco debuted on Kickstarter. I’m sure the devs (as all of us with crowdfunded games) wished time passed slower so we could make our estimated delivery dates, and Flynn—originally planned to release in February 2019—confirms my theory that Kickstarted games on average take 3–4 times as long to complete than predicted. It also speaks to my other theory, that the end result is most often well worth the wait! (Indie) game development is just hard and takes time.

I already put Flynn on my top 10 list of favorite upcoming pixel art games at the end of 2017 and the art holds up and even overdelivers in its release variety of environments and smooth animations. I’ll let the trailer do the speaking, and if you like a good action platformer, you can pick the game up on Steam ($18 during launch) or consoles.

Dwerve, the tower defense crawler RPG that I wrote about previously during its Kickstarter, just got a new trailer and a demo!

The fresh look into the game’s backstory of warsmiths comes from PAX West and is as smooth as ever (watch it above). Visitors of the convention are also welcomed to play the new Dwerve: Prologue, as are you (if you’re staying at home), since it’s available for free on Steam.

If this is your first look at Dwerve, it plays as an action RPG, except when battle time comes, you’re placing down turrets to do your bidding, smoothly transitioning the gameplay into tower defense. Give the demo a try and experience beautiful art from Pixel Pete, Enchae, and Sun Pixels while kicking some troll butt.

An awesome Kickstarter came across me this morning and it’s from no other then Emma ‘Eniko’ Maassen of Kitsune Games (previously on Kickstarter with Lore Finder).

I’m super excited, because this time she’s doing an educational video series explaining some of the cool ways old games did 3D graphics. Coding History: 3D from Mode7 to DOOM will cover (at least) 12 episodes, the 7 originally planned ones and 5 added through the first stretch goal:

• Sprite based 3D dungeons (Lands of Lore, Phantasy Star)
• Pseudo 3D (Outrun)
• Raycasting (Wolfenstein 3D, Rise of the Triad)
• Mode 7 (Super Mario Kart, F-Zero)
• Voxel terrain (Comanche)
• Binary space partitions (DOOM)
• Portals (Duke Nukem 3D/Build Engine)
• Polygonal software rendering
• Perspective
• Flat polygon shading
• Textured polygon shading
• Programmable pipeline (shaders)
  

Just watching the campaign video made me look forward to enjoying footage of old games while also learning how they made them work—and how you can code such engines yourself too! 

If you’d like to support Eniko’s efforts to let us all geek out over computer rendering, hop on over to Kickstarter and send some funds her way.

Back in 2018/2019 when new features of Pixel Art Academy were being released quite frequently, I started my Pixel Art Academy 101 series of videos where new concepts were explained when they entered alpha stage (early access).

I haven’t been sleeping since then and it’s time to start Pixel Art Academy 102, a new season of video updates that will focus on the next chapter of the game, leading with the learning materials added to the Retropolis Academy of Art Study Guide.

It’s been almost 2 years since Savior completed its Kickstarter campaign, and oh boy was this blog in need of an update of awesome GIFs and environments from my most anticipated parkour/fighting game.

What’s extra interesting about their backer updates is that you get to see a lot of locations in their concept art phases (drawn by Robert Borth), which is not something we often see for pixel art games, especially concept illustrations with such clean execution.

It’s even more amazing when you get to see these turned into gorgeous, animated pixels by Weston Tracy and the team.

We also got a decent look into Savior’s features and story back in March during the Future Games Spring Showcase:

If you want to follow the development of Starsoft’s debut title, hop over to their website for social media links.

This is not your usual Retronator post, but I’m a huge computer science nerd, so when I saw how well NVIDIA and Cornell’s GANcraft neural network transformed a Minecraft voxel world into a realistic representation, I just had to make some GIFs and share it with you.

I’ll let Károly from the excellent Two Minute Papers channel share the enthusiasm further:

And if you want to see the original researchers’ video, take a look here:

If you haven’t heard yet, Apogee is back! They announced their return to publishing back in April with a combination of new titles and remasters of their classics. They already released Crystal Caves HD back in October last year and I was very happy about it since a good buddy of mine, Primož from Emberheart Games (Courier of the Crypts), made the conversion.

This week another Apogee remaster was released, Secret Agent HD! The classic title from 1992 was drawn by George Broussard and now comes with spruced up colors thanks to Primož.

That’s what I love about Emberheart Games’ remakes, they’re remasters with a wider palette, but otherwise stick to the original pixel art. Just like Crystal Caves HD, the new Secret Agent also comes with a bunch of other goodies like smooth scrolling and movement, a level editor, a completely new episode with more enemies …

If this brings out a tear of nostalgia, you can relive your childhood memories on Steam or GOG ($8).

As for Primož, he’s already working on the next remaster, Monster Bash HD! Check out the Emberheart Games Discord to stay in touch.

One project I’m still looking very much forward to—regardless of its challenging development cycle—is Starr Mazer. Starting its way on Kickstarter in early 2015, updates on the space-fighting adventure got sparse as legal drama surrounded the project in 2017. That’s a story for another day—the important thing is, the project never stopped. As Confucius said about Kickstarter projects, “It does not matter how slowly you go as long as you do not stop.” At least if you keep your backers updated.

And updated we got! The hundredth one hit today and it’s filled to the brink with new details from the development plus the usual relentless enthusiasm of creative director Don Thacker (whom you might have seen in the splendorous spectacle that was Devolver MaxPass+ Showcase, which he directed). I’ll let you dive into the Drydock Report on your own, I just wanted to do you the service of getting the best of the 2021 GIFs and PNGs from the evolving world of the point-and-click-and-shmup adventur hybrid in front of your eyes on the blog.

It’s a good time for Sonic The Hedgehog fans as we celebrate the 30th anniversary of the platformer series, which launched on the Sega Genesis (a.k.a. Mega Drive) on June 23, 1991.

On Wednesday we were delighted with an orchestra performance that kept on giving, as the Prague Philharmonic Orchestra switched (and joined) airtime with Tomoya Ohtani Band (Sonic’s sound director) and Crush 40 (contributors of many rock/metal songs to Sonic’s soundtracks over the years).

And if this wasn’t enough, Epic put Sonic Mania on their store for free for the next two weeks! It’s a must have since it’s the only modern pixel art Sonic game released in the last decade. A bunch of artists from the scene worked on the title, including @superpietepiet and @midio. Go grab it while it’s hot (again)!

I was a big fan of Antoine ‘Sir Carma’ Lendrevie’s voxel art ever since I wrote my big article on pixels and voxels in 2016. Not long after, Antoine moved to Vancouver—the home of Brace Yourself Games—and started working as lead artist (and now art director, among other artists) on the simulation/strategy game Industries of Titan.

What followed were 4 years of patiently looking at cubes being carefully arranged into delicious dioramas on his Twitter, merging slowly into vast sci-fi cityscapes you can marvel at in the screenshots above (make sure to see them up big to take in all the voxel detail).

Finally the good news, you can now start colonizing the largest moon of Saturn yourself, as Industries of Titan landed in early access yesterday on Steam and Epic!

The world of Norco is just something else. The southern USA point-and-click adventure has been no stranger on this blog. Quite to the contrary, thanks to the magic of Tumblr I’ve had my eyes on @geographyofrobots’ project all the way back in its EGA days.

A lot has happened since my last look over a year ago, most recently this week Geography of Robots won the Tribeca Games Award, the latest addition to New York’s Tribeca (film) festival. The competition was strong and you can see the entries in the presentation where Norco gets introduced by the by-now-already-memeified Norman Reedus (at the 25:53 mark). It was nice to also finally put a face to Yuts after all these years.

In other news, Raw Fury picked up the publishing part of Norco’s release process. There’s even a new demo out that you can play right now on Steam.

No release date has been announced yet, so maybe there’ll be another post on this blog about the game in a year or so. We’ll see!

I’m a game developer, but you don’t get many finished games from me. Pixel Art Academy is the longest project I ever embarked on and while I regularly release alpha updates, it will probably take another decade to wrap the game up (check out my video I made a text adventure in 5 years (with 10 more to come)).

There is, however, a game jam happening every now and then when I take the opportunity to work on something small and bring it to completion. This past weekend I took part of the 48h-long GMTK Game Jam. After not much sleep, our team of three submitted a build of RetroCop, an FPS where you have to survive an onslaught of ghosts in a maze that is constructed and destroyed as you play.

The theme of the jam was “joined together”, so the rooms procedurally join and break apart. The game is also pretty much Doom+Tetris+PAC-MAN joined together (with Tron+RoboCop on top for the art style). I was happily surprised how entertaining the game is and the short, unforgiving play sessions make you want to try again and again.

The programmer put a bit of a crazy mouse sensitivity into the submitted game jam version (which you can try in the browser), so I made a new build yesterday with some more fixes and goodies squeezed in (menu music, dynamic mini-map location, better ghost hitbox). If you want to give the new version a try, you can download it for macOS, Windows, or Linux.

Summer Game Fest Kickoff + Day of the Devs in pixels

Yesterday saw the Kickoff of the Summer Game Fest, followed immediately by the Day of the Devs showcase.

The contrast between the two events was quite stark, from AAA games focused mostly on shooting and fighting, to Indies much more favorable to exploring and interacting with worlds in a peaceful manner. Both parts had some pixel art to show however, so let’s dive right into them.

Metal Slug Tactics

The Metal Slug series is the golden standard for 90s smooth pixel art, and a reference for animators until this day. Not sure who is wrangling the pixels on the new turn-based strategy title, but they sure are living up to the original’s expectations. Check out more screenshots and wishlist it on Steam.

Axiom Verge 2

Axiom Verge 2 was the first of the games featured in the Day of the Devs section and is a spiritual successor to the highly apraised metroidvania, offering a completely new world and characters.

Garden Story

If you ever wanted to play a game as a grape, your time has come! Garden Story is an action-RPG that follows the community-building vibes of many indie titles since Stardew Valley.

ElecHead

Coming from the Japanese coworking space Asobu, ElecHead sports a striking 4-color palette and a protagonist that charges any platform it touches, changing the game world in the process.

Loot River

It’s hard for me to not get excited about water shaders, and if they’re combined with a pixel art aesthetic … There’s a reason Kingdom is one of my favorite series. Add to that Loot River, a dungeon crawling action roguelike with what appears to be even some Tetris inspiration thrown in.

If you, like me, in the past tried to find games that don’t have violence/fighting as one of their main game mechanics, it was hard to know what to put into the search field to get your idea across … until 2019 when Matthew Taylor started curating “uplifting, thoughtful, compassionate, cozy video games” on Twitter under the name Wholesome Games.

It turned out he was far from the only one who wished to find more positive gaming titles. The Wholesome Games community quickly grew, leading up to a showcase in 2020 called Wholesome Direct—an online alternative and answer to many physical events like E3 getting canceled that year. Wholesome Direct was welcomed by over 140,000 viewers and was essentially a half an hour of videos of wholesome games weaved together with two hosts and the games’ developers introducing their trailers.

Following a couple of smaller showcases—Wholesome Snacks—in August and December last year, Wholesome Direct is back for its second run coming up this Saturday.

More than 70 games will be shown and—just like last year—we can expect a bunch of them to be presented in lovely pixels, voxels, or low poly pixel art. The whole lineup is hush hush since it includes some first-time reveals, but from those announced, the ones with low-resolution raster art include Moonglow Bay and Yokai Inn.

My Twitter feed also tells me Cheekynauts’ Moonshell Island will be showcased!

I’m so excited for this and all the other games in all the wonderful art styles and cozy colors!

You can tune in too this Saturday, June 12 at 10 AM Pacific, 7 PM Central European Time, on YouTube or Twitch, as well as follow Wholesome Games everywhere on the web.

I first came across the action RPG Year In The Trees when I moved to Sweden and heard about Stugan, an incubator program that ran here from 2015–2018. For two months over the summer, game developers from all over the world would come together to work on their games in a cabin in the middle of Swedish nature. In 2018, Chris ‘Luno’ Smith was one of them—fittingly so, as his RPG is pretty much about living in a cabin in the middle of an enchanted forest.

Luno, started the project back in 2016 and it’s been wonderful to see his high-bit art style get polished over the years into the smoothness it has today. Combined with the music and ambience worthy of his musician background, we get a world that is as mysterious as Wizard Fu’s Songbringer and pleasant as ConcernedApe’s Stardew Valley (coincidentally two other games with solo devs that also did their own soundtracks).

In April we got the above vlog that gave us a closer look at the current state of the game and the kind of crafting/survival gameplay to expect. There are no release plans yet (or Steam pages to wishlist), but you can sign up for a newsletter on the game’s website or follow Luno’s updates on Twitter.